This summer, Hull headed back to the Edinburgh Fringe Festival as Absolutely Cultured’s Hull Independent Producer Initiative, in partnership with Middle Child, supported by Hull Truck Theatre and Back to Ours, supported shows by five, highly acclaimed and exciting theatre companies from Hull.
The festival once again saw a “Hull Takeover”, as Hull-based theatre companies The Herd, Middle Child, Roaring Girls, Just Club and Back To Ours commission, Casus Circus – a troupe of international acrobats – took to the stage to show the world what Hull is made of.
Ahead of the festival (2-26 August 2019), three of these companies performed previews at Hull Truck Theatre on 13 July.
The Herd – Slime
Perfectly pitched to engage the youngest of audiences, The Herd performed Slime, the story of a slug, a caterpillar and the quest for a leaf. This squishy, squelchy, hilarious play for two to five-year-olds is a unique, accessible theatrical experience with immersive and colourful play for the very young.
The Roaring Girls – Beach Body Ready
The Roaring Girls create work that is fierce, feminist and fun. The company was founded in 2014, when Rachael Abbey and Lizi Perry created Skirts, Shirts, and Vintage Dresses for Assemble Fest. Since then, they have been a New Diorama Graduate Emerging Company, performed at BeSTival in Switzerland, collaborated with the University of Hull and grown the company to a core team of five. They took their radically and riotously joyful new show Beach Body Ready, to this year’s Fringe, defiantly championing body positivity and sticking two fingers up at how the media says you should look.
The Herd and The Roaring Girls were Supported Companies at Hull Truck Theatre and The Herd was a Hull Libraries’ Associate Theatre Company.
Just Club – Standing Too Close on Our Own in the Dark
Formed by University of Hull graduates, founding members and best mates, Jamie Nowell, Matthew Collins and Jake Marsden, Just Club is a new theatre company established in Hull in 2018. Standing Too Close on Our Own in the Dark is the company’s first ever show.
A gig-theatre event as vibrant and hopeful as it is melancholic, is part stand-up, part gig and part spoken word ramble, which sees its performer pour over a journal of original poetry and comedic monologue, with encouragement from a live band.
Standing Too Close on Our Own in the Dark was supported by Middle Child’s First Show Fund.
Wrapping, Nnena Kalu
Image: Installation View. Mike S Redmond and Faye Coral Jones (MSR FCJ), Ecstatic Rituals.
Emerging Cultural Leaders Mobility Bursary 2019 - Information Event
PRS Foundation New Music Biennial 2019
Image: Cut, Humber Street Gallery 2019. ©James Mulkeen
Cut, Richard Houguez & Graham Jones
Candoco Dance Company Face In by Yasmeen Godder Photography by Hugo Glendinning
IETM Hull 2019 Plenary Meeting
Urban Legends: Northern Lights
Home Town Story
It Takes a Village
States of Play
Proboscidea Rappings, Ollie Dook
Frances Disley, The Cucumber Fell in the Sand. Courtesy of Humber Street Gallery and the artist, 2019. ©Jules Lister
Frances Disley: The Cucumber Fell In The Sand
Jade Montserrat: Instituting Care
Ella Dorton, Journey to the Centre of the Couch (Couches & Other Good Ideas). Courtesy of Humber Street Gallery and the artist, 2019. © Jules Lister
Journey To The Centre Of The Couch (Couches & Other Good Ideas), Ella Dorton
The Witching Hour
Keisha Thompson: Man on the Moon
IETM Hull 2019 Artistic Programme
Measures of Life by The Lumen Prize for Digital Art
Equanipolis, Aniara Omann
Dance Exchange Hull
© Chris Pepper
Hull Takeover: Previews
Image: Athena Papadopoulos, A Tittle-Tattle Tell-a-Tale-Heart, courtesy of Humber Street Gallery and the artist 2019. © James Mulkeen
A Tittle-Tattle Tell-a-Tale Heart, Athena Papadopoulos
Suki Seokyeong Kang
Place To Place: Liverpool Biennial Touring Programme
Jamie Reid XXXXX: Fifty Years of Subversion and The Spirit
Contains Strong Language
Act VII: Land of Green Ginger
John Grant's North Atlantic Flux: Sounds from Smoky Bay
Hull Truck Theatre
The Last Testament of Lillian Bilocca