Solidarity & Love is a new collection of work by Glasgow-based artist Jamie Crewe. The exhibition at Humber Street Gallery has been created alongside a sister show at Grand Union, Birmingham titled Love & Solidarity.
These exhibitions, which were also previously open in these spaces at the beginning of this year, have led to Crewe being selected to receive a Turner Prize Bursary – the new format for the Turner Prize in 2020, celebrating artists for their significant contributions to new developments in British contemporary art.
Taking inspiration from Radclyffe Hall’s novel The Well of Loneliness (1928), the exhibitions address the provocations of the book, which has had a lasting impact on generations of queer, lesbian, and transgender people.
Through a combination of video, sculpture and text, Crewe touches on themes of heartbreak, experiences of transphobia, LGBT solidarity and conflict, as well as exploring the legacy of the novel itself.
Love & Solidarity, Solidarity & Love
As part of the extended programme for Solidarity & Love by Jamie Crewe, along with Grand Union, we have co-commissioned a publication with new writing by Juliet Jaques, Nat Raha and Shola Von Reinhold. The publication branches the two exhibitions and includes original illustrations by Jamie Crewe.
You can download this for free by clicking on the image below:
Jamie Crewe was born in Manchester and raised in the Peak District. They now live and work in Glasgow.
They have presented three solo exhibitions: But what was most awful was a girl who was singing (Transmission, Glasgow, 2016); Female Executioner (Gasworks, London, 2017); and Pastoral Drama (Tramway, Glasgow, 2018). They have also participated in many group exhibitions, including: STILL I RISE: FEMINISMS, GENDER, RESISTANCE ACT 2 (De La Warr Pavilion, Bexhill On Sea, 2019) and ACT 3 (Arnolfini, Bristol, 2019); I, I, I, I, I, I, I Kathy Acker (Institute of Contemporary Arts, London, 2019); and Cellular World, part of the Director’s Programme for Glasgow International 2018 (Gallery of Modern Art, Glasgow, 2018). They have also presented their performance lecture Potash Lesson at a variety of venues in the UK and Europe, and authored a book titled GLAIRE (published by MA BIBLIOTHÈQUE, 2017).
In 2017 they were awarded a commission by KW Institute of Contemporary Art, Berlin, as part of the KW Production Series. The resulting moving image work — a two channel video titled Pastoral Drama — was exhibited at the Julia Stoschek Collection in Berlin alongside fellow award recipient Beatrice Gibson’s I Hope I’m Loud When I’m Dead. In 2019 they were announced as the tenth recipient of the Margaret Tait Award, Scotland’s most prestigious prize for artists working with moving image. The resulting work — a rural horror film titled Ashley — will be premiered at Glasgow Film Festival in early 2020.
15 August – 13 December 2020
Humber Street Gallery
Temporarily closed until 3 December
FREE, booking required
IETM Hull © Tom Arran
Developing your Creative Practice webinar with Arts Council England
Installation View. Practice in Place. Courtesy of Humber Street Gallery and the artists, 2020. © Jules Lister
Practice In Place
Installation view. Leo Fitzmaurice, Autosuggestions. Courtesy of The Sunday Painter and the artist, 2020. © Ollie Hammick
Autosuggestions, Leo Fitzmaurice
Imagination Alley, Absolutely Cultured © Tom Arran
Installation view, 2020. Jamie Crewe, Solidarity & Love. Courtesy of Humber Street Gallery and the artist, 2020. © Jules Lister
Jamie Crewe: Solidarity & Love
Peel Street Park, Absolutely Cultured © Sergej Komkov
Play equipment and mural
Ferref. Leo Fitzmaurice, Enjoy Civic Life. Courtesy of Humber Street Gallery and the artist, 2020. © Jules Lister
Enjoy Civic Life, Leo Fitzmaurice
Model City workshop, Absolutely Cultured © Thomas Arran